SOCIAL COGNITION, COLLECTIVE IMAGINATION, ARTS AND ZEITGEIST

Autores

  • Afonso Carlos Neves

DOI:

https://doi.org/10.47820/recima21.v5i2.4840

Palavras-chave:

Cognition, Imagination, Arts, Zeitgeist, Language, Metaphor.

Resumo

Cognition and imagination are human faculties that are often thought as individual processes. In recent decades, however, they have been studied as one collective experience. Cognition and imagination are so strongly linked to both mind and body that they characterize what it means to be human. Body, brain, cognition and imagination are, in turn, related to culture; culture is manifested by the Arts. We propose that community art reflects its own zeitgeist and changes when collective cognition changes. Thus, humans continuously modify their understanding of themselves and the world. Here, we describe the changing of Arts from the Middle Ages to the Renaissance, when Arts became known by their authors and each work individualized. Concomitantly, advances in Medicine lead to the developing of a detailed human Anatomy as Perspective became increasingly visual. Shifting trends from the Renaissance to the Baroque also accompanied the manifestation of body movement in Arts as Physiology emerged in Medicine, altogether with collective cognition and imagination changing.

Downloads

Os dados de download ainda não estão disponíveis.

Biografia do Autor

  • Afonso Carlos Neves

    Universidade Federal de São Paulo

Referências

BAAKE, K. Metaphor and Knowledge, The Challenges of Writing Science. Albany, NY: State University of New York Press, 2003. DOI: https://doi.org/10.1353/book4677

BRAMLY, S. Leonardo da Vinci, 1452-1519. Rio de Janeiro, RJ: Imago Editora, 1989.

DEMARIN, V.; BEDEKOVIĆ, M. R.; PURETIĆ, M. B.; PAŠIĆ, M. B. Arts, Brain, and Cognition. Psychiatr Danub., v. 28, n. 4, p. 343-348, dec. 2016.

DURAND, G. The Anthropological Structures of the Imaginary. Sao Paulo, SP: Editora Martins Fontes, 2012.

ECO, U. Art and Beauty in the Middle Ages. Rio de Janeiro, RJ: Editora Record, 1987.

FINGER, S. Origins of Neuroscience: A History of Explorations into Brain Function. New York, NY: Oxford University Press, 1994. DOI: https://doi.org/10.1093/oso/9780195065039.001.0001

HALLYN, F. The Poetic Structure of the World, Copernicus and Kepler. New York: Zone Books, 1990.

HAWLINA, H.; PEDERSEN, O. C.; ZITTOUN, T. Imagination, and social movements. Curr Opin Psychol., v. 35, p. 31-35, oct. 2020. doi: 10.1016/j.copsyc.2020.02.009. DOI: https://doi.org/10.1016/j.copsyc.2020.02.009

HOOKE, R. Micrographia: or some physiological descriptions of minute bodies made by magnifying glasses. London, UK: The Royal Society, 1665. DOI: https://doi.org/10.5962/bhl.title.105738

HUERTAS, R. The Century of Clinics. Zaragoza, Spain: Novalia Electronic Editions, 2004.

KESNER. L. A hole in piece of carboard and predictive brain: the incomprehension of modern art in the light of the predictive coding paradigm. Phil. Trans. R. Soc. B, v. 379, p. 20220417, 2023. https://doi.org/10.1098/rstb.2022.0417 DOI: https://doi.org/10.1098/rstb.2022.0417

KUHN, T. S. The Copernican Revolution, Planetary Astronomy in the Development of Western Thought. Cambridge, MA: Harvard University Press, 1957.

MELI, D. B. Mechanism, Experiment, Disease: Marcello Malpighi and Seventeenth Century Anatomy. Baltimore, MD: The Johns Hopkins University Press, 2011. DOI: https://doi.org/10.1353/book.1842

MOMENNEJAD, I. Collective minds: social network topology shapes collective cognition. Philos Trans R Soc Lond B Biol Sci., v. 377, n. 1843, p. 20200315, 31 jan. 2022. doi: 10.1098/rstb.2020.0315. DOI: https://doi.org/10.1098/rstb.2020.0315

MONGELLI, L. M. et al. Trivium and Quadrivium, The Liberal Arts in Middle Ages. Cotia, SP: Editora Ibis, 1999.

OERGEL, M. Zeitgeist. How Ideas Travel. Berlin: De Gruyter, 2019. DOI: https://doi.org/10.1515/9783110631531

PANOFSKY, E. Meaning in the Visual Arts. Sao Paulo, SP: Editora Perspectiva, 1955.

PANOFSKY, E. Perspective as Symbolic Form. New York, NY: Zone Books, 1977.

ROSSI, P. Science and Philosophy of Modern. Sao Paulo, SP: Editora Unesp, 1989.

RÜEGG, W. “Themes,” in A History of the University in Europe, Ed. Hilde De Ridder-Simoens. Cambridge, UK: Cambridge University Press, 1992. p. 3-34.

SCHWARTZ-SALANT, N. The Mystery of Human Relationship – Alchemy and the Transformation of the Self. London: Routledge, 1998.

SENNET, R. Flesh and Stone: The Body and the City in Western Civilization. New York: W.W. Norton & Company, 1997.

TUBBS, R. S. Anatomy is to physiology as geography is to history; it describes the theatre of events. Clinical Anatomy, v. 28, n. 2, p. 151, 2015. doi:10.1002/ca.22526. DOI: https://doi.org/10.1002/ca.22526

VASARI, G. Vidas dos Artistas. São Paulo, SP: Editora Martins Fontes, 2020.

WÖLFFLIN, H. Principles of Art History: The Problem of the Development of Style un Later Art. Mineola, NY: Dover Publications, Inc, 1929.

ZITTOUN, T.; CERCHIA, F. Imagination as expansion of experience. Integr Psychol Behav Sci., v. 47, n. 3, p. 305-24, sep. 2013. doi: 10.1007/s12124-013-9234-2. PMID: 23625542. DOI: https://doi.org/10.1007/s12124-013-9234-2

Downloads

Publicado

08/02/2024

Como Citar

SOCIAL COGNITION, COLLECTIVE IMAGINATION, ARTS AND ZEITGEIST. (2024). RECIMA21 - Revista Científica Multidisciplinar - ISSN 2675-6218, 5(2), e524840. https://doi.org/10.47820/recima21.v5i2.4840