SEGMENTACIÓN ACÚSTICA BASADA EN K-MEANS PARA MITIGAR EL SESGO DE POPULARIDAD EN LAS RECOMENDACIONES MUSICALES

Resumen

En esta investigación, proponemos un Sistema de Recomendación Contextual basado en agrupamiento acústico. El modelo utiliza el algoritmo K-Means (k = 6) para segmentar un extenso catálogo musical de Spotify en perfiles de sonido estadísticamente distintos. La validación estadística mediante ANOVA unidireccional confirmó la distinción de los seis grupos (p < 0,001), lo que garantiza la robustez de la segmentación y revela la estructura de cola larga. El sistema asigna estos grupos a contextos de uso (p. ej., "Enfoque" → Grupo Instrumental) para mitigar el sesgo de popularidad inherente en los datos. Este enfoque ha demostrado su potencial para aumentar el valor de descubrimiento de las recomendaciones, promoviendo la diversidad y abordando las deficiencias de los sistemas basados ​​únicamente en la popularidad.

Referencias

[1] ADOMAVICIUS, G.; TUZHILIN, A. 2011. Context-aware recommender systems. In Recommender Systems Handbook. Springer, New York, NY, USA.

[2] BURKE, R. 2002. Hybrid recommender systems: Survey and experiments. User Modeling and User-Adapted Interaction 12, 4 (2002), 331–370.

[3] CELMA, O. 2010. Music Recommendation and Discovery in the Long Tail. Springer, Berlin, Heidelberg.

[4] CHARU, C. 2016. Recommender Systems: The Textbook. Springer, Cham, Switzerland.

[5] FISHER, R. 1925. Statistical Methods for Research Workers. Oliver and Boyd, Edinburgh, UK.

[6] GUNAWARDANA, A; SHANI, G. 2015. A survey of accuracy evaluation metrics of recommendation tasks. Journal of Machine Learning Research 10 (2015), 2935–2962.

[7] HUANG, Q.; JANSEN, A.; LEE, J., GANTI, R.; LI, J.; ELLIS, D. 2022. MuLan: A Joint Embedding of Music Audio and Natural Language. arXiv preprint arXiv:2208.12415. https://arxiv.org/abs/2208.12415

[8] JAIN, A. 2010. Data clustering: 50 years beyond K-means. Pattern Recognition Letters 31, 8 (2010), 651–666.

[9] JAIN, T. et al. 2023. Machine Learning Based Music Recommendation System. In 2023 7th International Conference on Intelligent Computing and Control Systems (ICICCS). IEEE, Chennai, India, 105–110.

[10] JHA, M., CHAUDHARY, R.; CHAND, K. 2025. Previsão de músicas do Spotify baseada em aprendizado de máquina. Wiley, Hoboken, NJ, USA, Chapter 8, 145–160.

[11] KAMINSKAS, M.; RICCI, F. 2012. Contextual and Social Music Recommendation. In Proceedings of the 2nd International Workshop on Music Recommendation and Discovery. ACM, Dublin, Ireland, 1–6.

[12] KIM, J.; URBANO, J.; LIEM, C.; HANJALIC, A. 2019. One Deep Music Representation to Rule Them All.? A Comparative Analysis of Different Representation Learning Strategies. Neural Computing and Applications 32, 4 (2019), 1067–1093 DOI: https://doi.org/10.1007/s00521-019-04076-1

[13] LOHMANN, S. 2018. Context-aware content recommendation on news websites. Ph. D. Dissertation. Universität Koblenz-Landau.

[14] MACQUEEN. J. 1967. Some Methods for Classification and Analysis of Multivariate Observations. Proceedings of the Fifth Berkeley Symposium on Mathematical Statistics and Probability 1 (1967), 281–297.

[15] MEHROTRA, R. et al. 2021. Auditing and Mitigating Popularity Bias in Music Recommendations. In Proceedings of the 2021 Conference on Human Information Interaction and Retrieval (CHIIR). ACM, Canberra, ACT, Australia, 215–224.

[16] MOELANTS, D. 2002. Preferred Tempo for Dance Music. In Proceedings of the International Conference on Music Perception and Cognition. Causal Productions, Sydney, Australia, 400–403.

[17] PARISER, E. 2011. The Filter Bubble: What the Internet Is Hiding from You. Penguin Press, New York, NY, USA.

[18] PERAL, O. 2024. Sistemas de recomendação do Spotify na descoberta e consumo musical. Master’s thesis. Instituto Universitário de Lisboa (ISCTE).

[19] RICCI, F. et al. 2015. Recommender Systems: Introduction and Challenges. In Recommender Systems Handbook. Springer, New York, NY, USA, 1–34.

[20] RUSSELL, J. 1980. A circumplex model of affect. Journal of Personality and Social Psychology 39, 6 (1980), 1161–1178.

[21] SCHEDL, M. et al. 2018. Current challenges and visions in music recommender systems research. International Journal of Multimedia Information Retrieval 7, 2 (2018), 95–108.

[22] SHINDE, S. et al. 2023. Clusterização Baseada em Aprendizado de Máquina Usando Recursos de Áudio do Spotify. In 2023 3rd International Conference on Data Intelligence and Cognitive Informatics in IoT (IDICAIoT). IEEE, Bengaluru, India, 1–5.

[23] SPOTIFY AB. 2024. Spotify Web API: Audio Features Object. https://developer.spotify.com/documentation/web-api/reference/get-audio-features Acesso em: 14 dez. 2025.

[24] THORNDIKE, R. 1953. Who Belongs in the Family? Psychometrika 18, 4 (1953), 267–276.

[25] TINTAREV, N.; MASTHOFF, J. 2015. Explaining recommendations: Design and evaluation. In Recommender Systems Handbook. Springer, New York, NY, USA, 353–382.

[26] TZANETAKIS, G.; Cook, P. 2002. Musical genre classification of áudio signals. IEEE Transactions on Speech and Audio Processing 10, 5 (2002), 293–302.

[27] WAZLAWICK, R. 2014. Metodologia de Pesquisa para Ciência da Computação. Elsevier Brasil, Rio de Janeiro, RJ, Brazil.

Cómo citar

Albuquerque, A., Demes da Silva, M. ., Maria de Sá Urtiga Aita, K., & Borges de Sampaio, W. . (2026). SEGMENTACIÓN ACÚSTICA BASADA EN K-MEANS PARA MITIGAR EL SESGO DE POPULARIDAD EN LAS RECOMENDACIONES MUSICALES. RECIMA21 - Revista Científica Multidisciplinar - ISSN 2675-6218, 7(6), e768075. https://doi.org/10.47820/recima21.v7i6.8075