CONTROL OF THE IMAGINARY: THE RECEPTION OF MACHADO DE ASSIS

Authors

  • Adelaide Barros Caminha

DOI:

https://doi.org/10.47820/recima21.v4i10.4113

Keywords:

Machado de Assis. Control of the imaginary. Luiz Costa Lima.

Abstract

Focusing on what Costa Lima has called “control of the imaginary”, glimpsed since the book that marks the entry into his “mature” phase of theorization, Mimesis and Modernity, originally published in 1980, this article intends to trace, through the analysis of the reception of work of Machado de Assis, the singularity of the way in which a certain type of control of the imaginary is updated in Brazil in the 19th and 20th centuries, in contrast to its way of acting in Europe.

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Author Biography

Adelaide Barros Caminha

Universidade Federal do Piauí.

References

BAPTISTA, Abel Barros. A formação do nome: duas interrogações sobre Machado de Assis. Campinas, SP: Editora da UNICAMP, 2003.

LIMA, Luiz Costa. Frestas: a teorização em um país periférico. Rio de Janeiro: Contraponto; Ed.PUC-Rio, 2013.

LIMA, Luiz Costa. Trilogia do Controle. 3. ed. Rio de Janeiro: Topbooks, 2007.

LIMA. Luiz Costa. Mímesis e modernidade: formas das sombras. 2. ed. São Paulo: Paz e Terra, 2003

Published

05/10/2023

How to Cite

Barros Caminha, A. (2023). CONTROL OF THE IMAGINARY: THE RECEPTION OF MACHADO DE ASSIS. RECIMA21 - Revista Científica Multidisciplinar - ISSN 2675-6218, 4(10), e4104113. https://doi.org/10.47820/recima21.v4i10.4113

Issue

Section

REVIEWS - TRANSLATIONS - INTERVIEWS

Categories